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<title>Studies in American Fiction: Volume 35 Number 2 (Autumn 2007)</title>
<copyright>Copyright (c) 2013 Northeastern University All rights reserved.</copyright>
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<description>Recent documents in Studies in American Fiction: Volume 35 Number 2 (Autumn 2007)</description>
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<title>&quot;Get your map of America&quot;: tempering dystopia and learning topography in The Plot Against America</title>
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<author>Jeffrey Severs</author>


<category>American fiction--History and criticism</category>

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<title>Playing on the &quot;Darky&quot;: blackface minstrelsy, identity construction, and the deconstruction of race in Toni Morrison&apos;s Paradise</title>
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<author>Dana A. Williams</author>


<category>American fiction--History and criticism</category>

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<title>Sex and salmon: queer identities in Sherman Alexie&apos;s The Toughest Indian in the World</title>
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<author>Lisa Tatonetti</author>


<category>American fiction--History and criticism</category>

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<title>The deracinated self: immigrants, orphans, and the &quot;migratory consciousness&quot; of Willa Cather and Susan Glaspell</title>
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<author>Martha C. Carpentier</author>


<category>American fiction--History and criticism</category>

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<title>Bedside manners in Dorothy Parker&apos;s &quot;Lady with a Lamp&quot; and Kay Boyle&apos;s My Next Bride</title>
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<author>Meg Gillette</author>


<category>American fiction--History and criticism</category>

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<title>Philomela revised: traumatic iconicity in Jonathan Safran Foer&apos;s Extremely Loud &amp; Incredibly Close</title>
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<author>Philippe Codde</author>


<category>American fiction--History and criticism</category>

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