Submissions from 2010
Book review: The organ and its music in German-Jewish culture, Joshua R. Jacobson
Contrafaction, Joshua R. Jacobson
Submissions from 2009
Jewish music: what is that?, Joshua R. Jacobson
Submissions from 2008
Defending Salamone Rossi: the transformation and justification of Jewish music in Renaissance Italy, Joshua R. Jacobson
Submissions from 2007
Five pieces for guitar and live electronics, Ronald Bruce Smith
Submissions from 2006
String quartet no. 2: "Nostalgia", Ronald Bruce Smith
Tombeau (in memory of Donald Stenberg): for violin and piano, Ronald Bruce Smith
Submissions from 2005
Something suspicious (small): for bass clarinet and live electronics, Ronald Bruce Smith
Submissions from 2003
Arnold Schoenberg and Ahad Ha‘am, Joshua R. Jacobson
Book review: The Cambridge history of American music, Judith Tick
Submissions from 2001
Jewish women in music, Joshua Jacobson
Musing about Jewish music, Joshua R. Jacobson
Submissions from 2000
Tsen Brider: a Jewish Requiem, Joshua R. Jacobson
An interview with Tristan Murail, Ronald Bruce Smith
Constellation: for orchestra and live electronics, Ronald Bruce Smith
Submissions from 1997
Franz Schubert and the Vienna Synagogue, Joshua R. Jacobson
What is Jewish liturgical music?, Joshua R. Jacobson
Submissions from 1992
Ta'amey hamikra: a closer look, Joshua R. Jacobson
Submissions from 1991
Ruth Crawford's "spiritual concept": the sound-ideals of an early American modernist, 1924-1930, Judith Tick
Submissions from 1988
The choral music of Salamone Rossi, Joshua R. Jacobson
Submissions from 1986
Some preliminary notes on a study of the Jewish choral movement, Joshua R. Jacobson
Submissions from 1977
Jewish music versus Jewish worship, Joshua R. Jacobson
